The heavy contrast of the Blue Mountains’ haze against the rich ochre of the ancient sandstone escarpments isn’t the only disparity in the Blue Mountains National Park.
I wake up slightly disoriented and quickly tug at the zip. A tepid breeze sifts through the tall trees overhead, casting flecks of sunlight on the leaf-littered forest floor.
Having recently returned from the famous, snow-covered landscapes of Mongolia, Eastern Siberia and Moscow, I wasn’t expecting much. When I heard that Pen-Y Fan had recently succumbed to a spattering of the white stuff, I smirked: “We’ll see”.
We pulled out to sea from behind an angular fortress. Minutes later, white water frothed up the sides of the boat and sharp morning rays glared down on my back.
If Provence were splashed over an artist’s palette, huge dollops of ochre, greens and blues would run into each other, punctuated by bright dots of violet, yellow and deep, blood red.
I watched my first Grand Prix in 1993. Dad and I sat prostrate on the sofa of our French apartment, digesting a leisurely mediterranean Sunday lunch of mozzarella salad and copious amounts of baguette.